The Human Sciences Research Council (HSRC)

2219  Large

Stealing Empire poses the question, "What possibilities for agency exist in the age of corporate globalisation?" Using the work of Antonio Negri and Michael Hardt as a point of entry, Adam Haupt delves into varied terrain to locate answers in this ground-breaking inquiry. He explores arguments about copyright via peer-to-peer (P2P) platforms such as Napster, free speech struggles, debates about access to information and open content licenses, and develops a politically incisive analysis of counterdiscourses produced by South African hip-hop artists. From empire stealing through their commodification of countercultures to the stealing empire activities of file-sharers, culture jammers and hip-hop activists, this book tells the story of people defining themselves as active, creative agents in a consumerist society.

Stealing Empire is vital reading for law, media and cultural studies scholars who want to make sense of the ways in which legal and communication strategies are employed to secure hegemony.

Open Access

Product information

Format : 210mm x 148mm
Pages : 272
ISBN 10 : 0-7969-2209-8
ISBN 13 : 978-07969-2209-0
Publish Year : 2008
Rights : World Rights


1. Reading Empire
1.1 Theorising Empire
1.2 The power of the multitude
1.3 Critiques of Empire
1.4 The case for the power of the multitude
Conclusion: multitude, media and culture

2. Revolution for Sale? Hollywood and Subversion in the Age of Empire
2.1 The Matrix as its own pure simulacrum
2.2 Empire, culture and agency in The Matrix
2.3 Rage Against the Machine and thematic depth in The Matrix
2.4 Rage Against the Machine and Zapatismo

3. The technology of subversion: from digital sampling in hip-hop to the MP3 revolution
3.1 Interpreting the Statute of Anne
3.2 The politics of digital sampling in hip-hop
3.3 Digital sampling, ownership and recuperation
3.4 The digital continuum: MP3 technology
3.5 Empire and the failure of democracy

4. Enclosure of the commons and the erosion of democracy
4.1 Enclosure of the commons
4.2 The Internet as an information commons
4.3 Open source, P2P and the culture of tinkering
4.4 Enclosing the information commons
4.5 Reclaiming the commons: open source and Creative Commons in South Africa
4.6 Culture jamming and free speech: citizens versus corporations
Conclusion: toward the common

5. Hip-Hop, gender and co-option in the age of Empire
5.1 Racial stereotypes, gender politics and the commodification of hip- hop
5.2 Conscious hip-hops continued appeal
5.3 Godessa in dialogue with Empire
5.4 Immortal Technique in dialogue with Empire
Conclusion: global affiliations

6. Hip-Hop, counterpublics and noise in post-apartheid South Africa
6.1 Noise from POC and Black Noise
6.2 Noise from younger MCs
6.3 Noise and subaltern counterpublics
6.4 Democracy, the nation-state and Empire




Law, technology, the Internet to the media and all things cultural - listen to the views of Adam Haupt, Martin Hall, Burni from Godessa and Caco the Noble Savage on Stealing Empire.

Duration: 8 min 22 sec

Adam Haupt is Senior Lecturer in the Centre for Film & Media Studies at the University of Cape Town. He has taught at the Universities of the Western Cape and Stellenbosch and has freelanced as an arts journalist. In the mid-90s, Haupt set the scene for research on black youth culture in South Africa with his work on rap group Prophets of da City, whose work was banned by the apartheid regime.

Share this

You might also consider these related books

2222  Large

Power, Politics and Identity in South African media


South Africa offers a rich context for the study of the interrelationship between the media and identity. The essays collected here explore the many diverse elements of this interconnection, and give fresh focus to topics that scholarship has tended to overlook, such as the pervasive impact of tabloid newspapers. Interrogating contemporary theory, the authors shed new light on how identities are constructed through the media, and provide case studies that illustrate the complex process of identity renegotiation taking place currently in post-apartheid South Africa. The contributors include established scholars as well as many new voices. Collectively, they represent some of South Africas finest media analysts pooling skills to grapple with one of the countrys most vexing issues: who are we?

Open Access

Product information

Format : 210mm x 148mm
Pages : 416
ISBN 10 : 07969-2202-0
ISBN 13 : 978-07969-2202-1
Publish Year : 2008
Rights : World Rights
Price R 191.00
2297  Large

Race & Representation in Post-Apartheid Music, Media & Film

Static: Race and Representation in Post-apartheid Music, Media and Film critically examines music, cinema, social media and the politics of change after apartheid. It cuts across academic disciplines, the creative arts and the media and poses two central questions: Is South Africa changing for the better, or are we static? Is there too much static for us to hear each other clearly?

Open Access

Product information

Format : 210 mm x 148 mm (Soft Cover)
Pages : 256
ISBN 10 : 978-07969-2386-8
ISBN 13 : 978-07969-2386-8
Publish Year : 2012
Rights : World Rights
Price R 220.00
2190  Large

Advertising in the News
Paid-for content and the South African print media


The rise of commercialism poses many challenges to the integrity of the South African media in the post-1994 era. To maintain profitability, many publications have developed a range of strategies to attract advertising, in particular, developing the content that advertisers most desire - content that creates what Herman and Chomsky called a buying mood for their products. These include niched supplements, special sections and advertorial pages (surveys) as well as a new trend in paid-for content in the South African print media, identified in this study: the development of a third arm.

Open Access

Product information

Format : 210mm x 280mm (Soft Cover)
Pages : 76
ISBN 10 : 0-7969-2183-0
ISBN 13 : 978-07969-2183-3
Publish Year : 2007
Rights : World Rights
Price R 115.00
2092  Large

Changing the Fourth Estate
Essays on South African journalism


In the form of personal essays, some of South Africa's top Journalists and journalism practitioners spell out the do's and don'ts of their particular speciality, gained by a lifetime of trial and error.

Open Access

Product information

Format : 168mm x 240mm (Soft Cover)
Pages : 248
ISBN 10 : 0-7969-2097-4
ISBN 13 : 978-07969-2097-3
Publish Year : 2005
Rights : World Rights
Price R 184.00